" If you have good light and you’re at a fairly high shutter speed, it's
going to be a brilliant color photograph. It had a great color palette.
It wasn't too garish. Some films are like you're on a drug or something.
Velvia made everything so saturated and wildly over-the-top, too
electric. Kodachrome had more poetry in it, a softness, an elegance.
With digital photography, you gain many benefits [but] you have to put
in post-production. [With Kodachrome,] you take it out of the box and
the pictures are already brilliant
David Friend (Vanity Fair. Retrieved February 1, 2011) .
David Friend (Vanity Fair. Retrieved February 1, 2011) .
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